[Aliventures newsletter] One simple tip for making the most of your writing sessions

Published: Thu, 01/28/16

   
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Hello!
How's your writing going?

For the first time in four years (!), I'm in first draft mode. I'm determined that this novel won't take four years, so I've got a two-year plan covering every stage from drafting to publication.

(I'm hoping to share the full plan with you some time next month.)

Whether you're blazing on ahead or struggling, I'd love to hear what you're working on. If you're stuck or have a question about writing, I'd be glad to help out in a future newsletter or (if it's a fairly hefty topic) on the blog. Just hit "reply" to let me know how you're doing and how I can help. :-)

Don't forget to check out the blog, too! This week's post went up on Monday:


 
One Simple Tip for Making the Most of Your Writing Time
However much (or little) time you have to write, here's an easy way to make the most of it:

Turn off your internet connection.

Yes, it's that simple.

I'm drafting this right now in my local library, with my wi-fi turned off. Yet twice in the past half-hour, I've found myself opening up Chrome – for no reason.

If, like me, you find yourself absent-mindedly checking Facebook or reading the news during writing sessions, the easiest way to refocus is to switch off your internet connection altogether.

Of course, chances are, you need to use the internet to check a fact or two while writing. Leave it off. Just put your best guess and leave a note to yourself to come back to fill in the correct details later.

If you really can't continue writing without checking some facts, then give yourself a time limit for doing so (perhaps 10 minutes) and set a timer. Once that timer goes off, turn your connection off again.

If you're worried about missing an important email or update, set a timer for 25 minutes, write until it goes off, then have a quick five-minute check of emails and social media.

Writing takes a lot of mental and emotional energy; it's completely normal to get distracted. Instead of relying on will-power  which takes up even more energy – to keep you away from social media and email and other distractions, just switch the whole lot off.

Try this one as soon as you can ... and when you're back online, drop me an email to let me know how it went for you!

 
Q&A: Do You Need a Great Vocabulary to Write Great Descriptions?
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Abraham wrote,

I love writing fiction. But when I do it, I see that my descriptive prowess aren't enough. I'm a non-native English speaker and I admit that my vocabulary still needs a fair share of upgrade.

This is the thing. I know the mechanics and rules of writing fiction, and capable of breaking some many of them without problem, but when it comes to describing a setting in a story, I just kind of stutter in written words. I could hear myself blabbing.

What do you suggest I do? Start eating slices of dictionary every
morning, so I can have a grasp of more descriptive words? Because I do
know that more words means more ability to use less of them.

Or would you rather I do something else?

I hugely admire anyone who can write in a second language. I learnt a bit of French and German in school, but I'd be lucky now if I could string together a sentence in either.

However, descriptions are tricky for plenty of native English speakers (including me) too. I don't think the answer is necessarily about vocabulary, though finding just the right word can really lift a description.

Be careful about using fancy, unusual words though. They draw too much attention to themselves and distract the reader from the story.

Instead:

1. Don't worry during the first draft: just get it all down. I normally end up with lots of dialogue and minimal description, which I then go back and fill in.

2. Specific details are always better than general ones. Don't write "the kitchen was a mess" – that doesn't mean much. Try "a dozen mugs were scattered haphazardly across the surface, all half-full of old coffee".

3. Don't describe everything. Readers just need one or two telling details: they can imagine the rest.

4. If you're writing in the first person or the third person limited, use descriptions as an opportunity to reveal something about your viewpoint character. What do they notice? What judgements do they make? How does their environment make them feel?

5. Don't chuck in huge slabs of description (unless you're really good at it). This may have worked for Victorian novelists: today's readers aren't so patient. Give us enough to set the scene, and work any other details in between action and dialogue.

6. Use descriptions to foreshadow what's coming in the plot. For instance, if someone's going to burn an important letter, you might introduce the fireplace a few chapters earlier. The tone of a description can also hint at something bad about to happen.



Descriptive writing is my least favourite part of writing fiction, so if it's a struggle for you too, I feel your pain!

 
Time to Write: Updated Mini-Ebook Ready in Your Secret Library
This is a reminder in case you missed it last week.

Almost five years ago (!) I wrote How to Find Time for Your Writing, the first free mini-ebook that I created for readers of this newsletter.

These days, after two pregnancies, two kids, and a house move, plus discussions with dozens of writers, I've got some new thoughts on time and writing. In fact, I now don't believe it's really a case of "finding" time so much as "making" time.

You can download the completely rewritten Time to Write here:


Password: alinewsletter

The library also includes several other mini-ebooks:
  • Editing Your Own Work
  • Ten Powerful Ways to Make Your Blog Posts Stronger
  • Ten Easy Ways to Attract Readers to Your Blog ... and Keep Them There
I'm planning to update all of these during 2016: I'll let you know in the newsletter as soon as new versions are available.
 
Next week, I'll be telling you about the three worst pieces of writing advice I've ever had. Till then, happy writing!

Ali

P.S. Don't forget to check out the new-look Aliventures at www.aliventures.com, especially this week's post, When to Give Up on Your Work-in-Progress (and When to Keep Going).

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